Yeyase'el

Yeyase'el belongs to the Powers and accompanies the period from 9 to 13 October. The motto «My sight, my perception is like an arrow» evokes a gaze that reaches places habit prevents us from seeing.

Your gift is to imagine new possibilities and make them perceptible. You may recognise another form for a work, an idea, a relationship or a social organisation. Imagination is more than escape: it becomes a way to understand what exists and show what is still missing. Art, understood as a faithful expression of this perception, has a central place in your portrait.

John Lennon, with Imagine, represents the invitation to picture a different way of living together, briefly freeing our gaze from familiar divisions. Imagining opens a possibility; giving it form requires language, work and consistency. Your own vision also gains strength when it becomes something others can encounter.

The main obstacle is fear of your own imagination. As soon as you let it work, your surroundings may seem inadequate and too confining. You may doubt your clarity of mind and respond by looking only for inexperience and faults in yourself. You then load yourself with tasks, restrictions and duties until there is no time left for the activity that would make you feel alive.

When you begin to express yourself, that fear may take other forms. You may seek people who diminish your work and remain attached to their approval. Or you want everyone to like you and revise every idea before anyone can criticise it. In the opposite direction, you may convince yourself that originality requires being incomprehensible or scandalous. The reference to Aleister Crowley brings in precisely the risk of turning imagination into a claim to exceptional status, separate from others.

Your task is not to prove you are different: it is to give precise form to what you see. Giuseppe Verdi and Luciano Pavarotti evoke a broad, generous artistic expression unwilling to fit conventional limits. Fridtjof Nansen, in turn, represents the courage to venture along unusual paths, through exploration, knowledge and humanitarian commitment. In each case, originality becomes an activity, rather than just a self-image.

An overly rigid professional setting may restrict you. You may need to invent a role, a method or a project instead of looking only for a ready-made place. This does not mean ordinary work is closed to you. It means recognising how much real room it leaves for exploration and how you can create that room, including through a personal project developed consistently.

In relationships, you may struggle with a routine others find reassuring. Friendship and love need curiosity and freedom, without requiring you to copy a predetermined form. Freedom remains mutual: originality and restlessness do not justify disrespect, broken promises or harmful relationships. You can agree on different arrangements with people who truly wish to share them.

Private difficulties can provide material for creativity and a perspective on other people's problems. You do not need to cultivate suffering or instability to produce a work. Useful discussion does not erase your independence either: you can listen to advice and decide what to use.

Yeyase'el's direction is to trust your perception and work on expressing it. Standing outside common habits can be fruitful, as long as it does not become a prison of solitude. Your vision fulfils its value when it opens a space for others too.